This was a massive project showcasing my motion design and workflow systems. 2,200 people from all over the world, 5 cities, 20+ workshops, 15+ keynotes, and hundreds of in-person meetings. I led all the motion graphics, creating over 200 individual pieces of content. A lot of the keynote animations needed to sync with clickers, which meant most decks had double or triple the slides. I built a clean, flexible motion system to keep things fast, simple, and visually consistent, while juggling constant design changes and tight deadlines. There were a ton of moving parts, but I kept things on track, even if that meant putting in some weekend hours to make sure nothing slipped. Slides came in through Figma (not the easiest for motion), but I found a plugin workaround to extract what I needed, though it struggled with alphas. To help the production team stay sane during the crunch, I set up a clear folder structure and pipeline that kept everything organized. In the end, everything went out smoothly. No errors, no last-minute scrambles. The system I built even got reused for future events. Honestly, it’s one of the best examples of how I approach motion design with structure, speed, and adaptability.